Tag Archives: Martin Freeman

Awesome Television: Sherlock

Sherlock was on my list of things I anticipated most in 2012. Its run of three episodes have come and gone in the UK, and the show is slated to run in the US on PBS sometime in the Spring. As I am an obsessive nerd that needs her fix now, however, I managed to watch the show using tunnelbear on BBC iPlayer. It was easily the best television I’ve seen in a long time. Benedict Cumberbatch and Martin Freeman are beyond excellence as Sherlock and Watson.

The story arch this series was also just damn brilliant. In A Scandal in Belgravia we’re introduced to Irene Adler, who is no disappointment as Sherlock’s female counterpart. I also absolutely loved the psychological and emotional intensity of The Hounds of Baskerville. For all my gripping about Steven Moffat’s direction on Doctor Who, the man’s creativity is undeniable.  His modernization of Sir Arthur Conan Doyle’s  19th century classic texts are remarkable. Different enough to feel fresh and surprising, but immersed in the best of Sherlockian tradition.

I love the development of Irene Adler’s character, and her relationship with Sherlock is so much more gratifying here than in the original. Insane, but true. It’s the series ending that really got me, however. My God, that ending was just the fucking best. I laughed, I cried and I was rendered speechless and I’m pretty sure I’m kind of in love with Martin Freeman now. Such good stuff. A third series has been commissioned, although how soon we’ll have that, who knows as Martin Freeman is sequestered in New Zealand filming the second part of The Hobbit.

BBC’s Sherlock

As is my style, Sherlock, the BBC modernization of Sir Arthur Conan Doyle’s famed detective, has been on my radar for a while now, but I’ve only just gotten around to watching it this weekend. It’s been much talked about by, well, everyone really, but I can’t be stopped from gushing. Simply put, it’s brilliant. They’ve completely updated one of literature’s most legendary figures, adding new life while staying faithful to canon all at once. There is a danger in taking such radical artistic liberties with a figure so beloved, as well as a danger in choosing to not take risks for fear of upsetting the devoted.

Benedict Cumberbatch is the perfect Holmes. Displaying all the Sherlock-ian characteristics and eccentricities we know and trust. I’m in love, however, with Martin Freeman’s John Watson, the consulting detective’s straight man. Watson humanizes Holmes. Without him, Holmes is too cold and calculating a person. In a show about crimes and murders, they approach Holmes and Watson’s relationship rather lightly. I love the allusions to the fact that many people might think they’re gay (a total 21st century conclusion to two men living and spending so much time together), and even the subtle insinuation that Holmes is indeed a homosexual. It’s daring and I’m completely mad for it because of that.