Tag Archives: best of 2011

Music of 2011: The Whole Lot

My list of favorites in music this year was nowhere near extensive. I thought I’d probably go into the new year still writing about them, but would be done with it before January’s end. I then (just now, really) decided: fuck that. Let’s get this shit out of the way. If you’ve missed any albums I mentioned previously, you can find them here.

Metronomy – The English Riviera

I love the sound of deep bass paired against slow beats that make you want to slink around all provocative-like. Tracks like We Broke Free embody that. It was songs like Everything Goes my Way or The Look that really sold me on English Riviera, though. They made me giddy with a desire to dance and move, with no sexy pretenses. Just silly, good times. The entire album, regardless of the mood it creates, has a real 70s vibe to it. Trouble especially reminds me of the late 70s Christian music that was the only English-language music my mom allowed me as a very young child. I mean that in a good way, too. Really.

 Bon Iver – Bon Iver

I feel like Bon Iver has been around for a while now, although Wikipedia says only 2007. I know at least that friends of mine have loved them, and tried to sell them to me for a long time, but I could never get into how slow they were. In this, their second self-titled album, they are not any faster. Perhaps it’s just been my mood this year, however, that has made me more receptive to slowing down in general. Whatever the case, I loved this.  There was something about it that felt bluesy, it had an intimate lounge-like quality. I could just picture the dark corner of some dimly lit space. Perth is perhaps my favorite track on the album. I love how close it feels, like you can feel the instruments turning on and there’s a beautiful discordant layer to it all. Continue reading

2011 in Music: Unknown Mortal Orchestra’s Self Titled Debut

Based in Portland and led by New Zealander Ruban Nielsan, there’s is a lot I love in this first album from band Unknown Mortal Orchestra. Vocals, by Neilsan himself, for one. The best word I’ve found to describe them is texture. They are gritty and almost… fuzzy? In many ways, just another instrument to play along side some very catchy funk inspired beats. It isn’t just funk inspired in sound though. Mostly, you hear that in the guitars and feel it in the urge to dance a little when How Can You Luv Me comes on. At times it feels a bit trippy and psychadelic, too. None of it is too heavy handed, though, and I really appreciate that.  It’s weird music, but in the very very best way.

2011 in Music: Bombay Bicycle Club – A Different Kind of Fix

I’ve heard nothing of Bombay Bicycle Club’s two previous albums. Popular consensus seems to be that their sound from album to album has been incredibly disparate. What I have heard is their latest, A Different Kind of Fix and I love it. Its sound is indie to its core in the tradition of Peter, Bjorn and John in their Young Folks heyday. Meaning, the album is incredibly sweet, romantic, danceable, singable and constantly on repeat. Musically it doesn’t break any boundaries, electric guitars and simple lyrics on loop, but it’s damn lovely nonetheless. Songs like How Can You Swallow So Much Sleep or Shuffle are full of familiarity, but they’re great fun and brimming with a strange kind of joy I just can’t get enough of.

2011 in Music: Phantogram – Nightlife

Phantogram is Sarah Barthel and Josh Carter, and what they do is pretty fucking special. Nightlife is a six song EP of pure unadulterated goodness. Barthel’s voice is hauntingly beautiful, high-pitched and tender at once. There’s an almost yearning-like quality to the sound of it. Their song, the single Don’t Move is perhaps my absolute favorite of the year. Full of a varied amount of vocal samples, it is at once romantic and danceable, textural and layered, complex and just plain beautiful. It really does it for me.

2011 in Music: The Black Keys – El Camino

This feels unecessary. After the success of their third album, 2010′s Brothers, The Black Keys hardly need anyone to tell you they’re great. People know who they are, and everyone with an iota of taste has listed their latest, El Camino, as a favorite in 2011. But guys, there’s good reason for all the fuss. El Camino is really freakin’ good. It’s music for running, for driving, for stripping, line dancing, regular dancing, etc. etc. Name it and I can pretty much guarantee this music provides the perfect soundtrack. Added bonus is the simple goodness of their Lonely Boy video. On my to do list for 2012, learn that dance.